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David Yarrow, The Beast

David Yarrow

The Beast
Archival Pigment Print
Large (framed): 81x71
Standard (framed): 59x52
Ed of 12
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When I encountered this massive bull it was with my camera in hand, not a remote control unit. I was very conscious of the distance between us – it would...
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When I encountered this massive bull it was with
my camera in hand, not a remote control unit. I was very conscious of
the distance between us – it would have been both illegal and foolish
for me to move any closer, but there was always the chance that the
bison would take this issue out of my hands. I was knee deep in snow and
I would not have fancied my chances of scrambling backwards.

The
temperature that early morning was just under -15 degrees Celsius – not
super cold, but cold enough for snow to have settled on the bison’s
primal face. This was very much my preconceived goal when I was
researching Yellowstone. He looks like a mythological creature from a
primal age, not a bison in 2017.

I
prefer not to use the magnification and distance compression of
telephoto lenses, but sometimes – like in this “head on” situation –
they serve a purpose as there is simply no safe or practical
alternative. The key issue for me is the validity of the chosen focal
point – as much of what is behind and much of what is in front of that
point will quickly lose detail – no matter the lens apeture. To lose it
behind is okay , but in front can create too big a tension point for the
image to work. I remember worrying about my focus at the time and
straight after – as these encounters happen all too quickly. But many
hours later, back in the warmth of my modest motel room, I looked at the
detail in the nose and around the eyes and I knew that I had a shot.
What a total beast of an animal.

Focus
is everything in photography – no more so than at 10,000 feet up, deep
in snow, with a bison in your face at -15 degrees celsius. This was not a
normal morning.

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