C. Anthony Gallery
Skip to main content
  • Menu
  • Home
  • Artists
  • Exhibitions
  • Contact
  • About Us
Menu

David Yarrow

  • Works
  • Video
  • Biography
  • Exhibitions
  • Previous artist Browse artists Next artist
  • All
  • African Wildlife
  • Après-Ski
  • Iconic Bar Scenes
  • Iconic Car Scenes
  • New Releases
  • North American Wildlife
  • Other Wildlife
  • Storytelling
  • Wild West
David Yarrow, Legends of the Fall

David Yarrow

Legends of the Fall
Archival Pigment Print
Large (framed): 71x85
Standard (framed): 52x61
Ed of 12
Inquire
%3Cdiv%20class%3D%22artist%22%3EDavid%20Yarrow%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ELegends%20of%20the%20Fall%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EArchival%20Pigment%20Print%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3ELarge%20%28framed%29%3A%2071x85%3Cbr/%3E%0AStandard%20%28framed%29%3A%2052x61%3Cbr/%3E%0AEd%20of%2012%3C/div%3E
We have an intense familiarity with Skogafoss in Iceland - a u shaped auditorium that may suck away the light, but it draws in the storyteller. We consider this ice...
Read more

We have an intense
familiarity with Skogafoss in Iceland - a u shaped auditorium that may
suck away the light, but it draws in the storyteller. We consider this
ice age geological creation to be the best waterfall in the world with
which to play with layered narratives. Every time we go back, we have
more experience of what does and doesn’t work. It is still a true test
for us and failing is very possible. We have often underachieved here
and that hurts as this is a spectacular place.


There are two big issues to deal with: firstly, a shoot can only be
done before the tourists arrive and that means an early start and a
pre-breakfast finish. But for a third of the year, the light before 9 am
is suboptimal - so timing and planning is everything. This is not a
winter shot unless the roads are tricky and the tourists can’t make it
until 10 am.


The far bigger issue is that the closer we are to the waterfall, the
more intense the spray. Such is the volume of water that positioning
even 200 yards from the bottom of the waterfall is akin to being in a
very impressive multi jet shower room. Move in 50 yards and it equates
to being in a torrential downpour setting and move 50 yards further in
and the camera will not last long. It is, of course, against all my
principles to compress distance and that dictates getting close.


I have come to like a position about 125 yards out, but the spray
only gives me one second each time to take a shot before the front of
the lens is soaked. That makes the whole process very challenging,
especially as I am lying in the water. Everything gets very wet and that
kind of caps the time to get an image to about 10 minutes a time. Then
there are the horses to consider too.


This is the strongest image I have taken at Skogafoss over the last
10 years. I think we were all done by 7 am. It is always rewarding when
the end result is far better than the preconception.


The most relevant tips for working here are have loads of lens cloths
and take a hot shower within 30 minutes. It is an intense experience
that close to the waterfall’s base.

Close full details
Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Previous
|
Next
491 
of  502
Manage cookies
Copyright © 2025 C. Anthony Gallery
Site by Artlogic
Go
Instagram, opens in a new tab.
Send an email

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences